I have been able to change the direction of the flow of particles using a magnet to ‘curve’ them. I’ve been thinking about the work of Céleste Boursier-Mougenot and Linda Sanchez.
Boursier-Mougenot’s work was presented at the Abbatoirs in 2014 in an exhibition called ‘Disturbances’. The exhibition focussed on that which is immaterial, in particular information and data flow. I was interested in Celeste Boursier-Mougenot’s piece that audibly and visually represented cosmic radiation. When these rays were detected, a cascade of water was triggered that fell onto an acoustic drum. The imperceptible was made tangible, and the audio, visuals and subatomic world were melded into something singular and elegant. This is the sort of thing I’d want to produce for my postgraduate degree show.
My documentation of the curvature of particle tracks in a Wilson chamber using a magnet, today.
How to make this into an art piece?
At the moment I’m documenting experiments, but need to make sure the visual choices made make sense in an art context.
Is there a way of lighting the experiment with UV?
I have an idea to trace the movement of particles while photographing the screen… I might do this tomorrow…
My brief chaotic pendulum animation with sounds
Above: an exchange on Twitter, Kepes, CERN
EXPERIMENTATION WITH ALCOHOLS:
VERY STRONG ISOPROPANYL
ALCOHOL WORKS BEST. Rubbing alcohol is ineffective, as is methylated spirit. I was surprised at the inefficacy of methylated spirit as it was recommended in the Griffin and George laboratory equipment manual.
FLUID DYNAMICS -STARRY NIGHT. Hair curvature, Da Vinci.
FLUID DYNAMICS AND SUBATOMIC PARTICLES…
Linda Sanchez’s piece ‘Chronographie: A Teardrop Dress‘ (pictured below) is spread over 8 meters against a wall. The fine black lines in the work appear like contour lines in cartography, perhaps particularly an ordinance survey map. Sanchez explores the properties of materials. This work investigates the processes behind particle movement, in particular the movement of drops of water, the result becoming simultaneously poetic and scientific. Sanchez observed droplets of water moving down large slides that she built over a long period of time. The video that opens her exhibition invites the audience to contemplate minute movements of water – the reflection of natural light on it’s surface, the way it rolls and accelerates when it swallows other drops, or being held back in it’s ‘race’, it’s behaviour when meeting an insect and the way it consumes dust … quite fascinating. Then the artist was interested in the traces left (like snail mucous left by a trail)… by the water when it withdrew from a space. She drew the frames of ‘water memory’ one at a time, creating graceful monochrome strips.
I’m hoping to track the movement of some of my pieces to evoke this sort of elegance. I’m already quite pleased with the subtlety of the wispy curves.
Chronographie: A Teardrop Dress